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Canon EOS 40D 10.1MP Digital SLR Camera (Body Only)

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$699.99

$ 99 .00 $99.00

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1.Style:40d Body Only


About this item

  • Powered by BP-511A, BP-511, or BP-512 lithium-ion battery pack; stores images on CF cards
  • sRAW mode , 35-zone metering system , integrated Self-Cleaning Sensor Unit
  • Large 3.0-inch LCD display with enhanced Live View and broadened color gamut
  • 10.1-megapixel CMOS sensor captures enough detail for photo-quality poster-size prints
  • 6.5 frame-per-second continuous shooting capability (for bursts of up to 75 Large/Fine JPEGs or 17 RAW images) / 10.1-megapixel CMOS sensor captures enough detail for photo-quality poster-size prints / Large 3.0-inch LCD display with enhanced Live View and broadened color gamut / 6.5 frame-per-second continuous shooting capability (for bursts of up to 75 Large/Fine JPEGs or 17 RAW images) / sRAW mode; 35-zone metering system; integrated Self-Cleaning Sensor Unit / Powered by BP-511A, BP-51


Product Description

Building on the success of Canon's perennially popular prosumer EOS 20D and 30D models, the EOS 40D advances the state-of-the-art for mid-range digital SLR cameras, making it a natural first choice for advanced amateur photographers and entry-level professionals, and an ideal second body for more established photo pros. Indeed, given the level of feature upgrades and improvements, technological wizardry, and user-requested creative controls, the Canon EOS 40D SLR's prosumer appellation may refer more to its accessible price point than to the exceptional quality, clarity, and resolution of the images it creates.

From the Manufacturer

Building on the success of Canon's perennially popular "prosumer" EOS 20D and 30D models, the EOS 40D advances the state-of-the-art for mid-range digital SLR cameras, making it a natural first choice for advanced amateur photographers and entry-level professionals, and an ideal second body for more established photo pros. Indeed, given the level of feature upgrades and improvements, technological wizardry, and user-requested creative controls, the Canon EOS 40D SLR's "prosumer" appellation may refer more to its accessible price point than to the exceptional quality, clarity, and resolution of the images it creates.
From the camera's newly enhanced, 10.1-megapixel CMOS imaging sensor (designed and manufactured by Canon) and its proprietary and super-efficient DIGIC III image processor, to its completely redesigned autofocus sensor and fast, 6.5 frame-per-second (fps) continuous shooting capability (for bursts of up to 75 Large/Fine JPEGs or 17 RAW images), the EOS 40D SLR puts the fun in functionality and makes serious photo business a positive pleasure.

Indeed, at 6.5 fps, no digital SLR in the EOS 40D mid-range class and price category has so high a continuous shooting capability, making it ideal for shooting--and actually capturing--speed-sensitive outdoor and wild-nature shots as well as a wide variety of action and sports scenes. The speed of the EOS 40D SLR comes from Canon's balanced combination of its latest processor, DIGIC IIII, DDR SDRAM high-speed memory, four-channel-per-line sensor readout, and two separate motors for shutter and mirror operation.
Canon EOS 40D Highlights
Display's the Thing The most easily visible upgrade on the EOS 40D Digital SLR is the camera's larger 3.0-inch LCD screen (compared with the EOS 30D's 2.5-inch monitor). Still, size is only the beginning of the difference between these two cameras' displays. In order to increase viewing ease in outdoor conditions such as bright sunlight, Canon raised the brightness level of the EOS 40D camera's 230,000-pixel LCD screen, broadened the color gamut, and narrowed the viewing angle from 170 degrees to a still wide 140-degree perspective in all directions. An added advantage of the larger-sized display is the ability to use a larger font size for text, making it easier to read setting and menu options on the screen. The camera's menu is organized in the same tabbed format as the EOS-1D Mark III Digital SLR.
Canon extends its "ease-of-reading" policy to the EOS 40D SLR's viewfinder as well. The upgraded viewfinder increases optical magnification from 0.90x to 0.95x, expands the viewing angle from 251 degrees to 264 degrees and raises the eye point from 20mm to 22mm.
Enhanced Durability Recognizing the often rigorous shooting conditions encountered by professional and advanced amateur photographers, Canon design engineers made the EOS 40D SLR's magnesium alloy exterior even more ruggedly dependable than its predecessors with upgraded dust- and weather-resistant construction, particularly around the camera's connection ports, battery compartment, and single-slot compact flash (CF) memory card door. Should the user inadvertently open the compact flash card door while the camera is writing to the card, a warning will pop up on the LCD screen and an open door "alarm" will sound, but the image(s) will continue writing to the memory card without interruption. The EOS 40D SLR also retains many of the outstanding features of the EOS 30D model, such as its fast 0.15-second initial start-up, its extremely durable shutter (rated up to 100,000 cycles), its top shutter speed of 1/8000 second, and 1/250 maximum X-sync flash shutter speed setting.
Improved Image Quality Although it is based on the image sensor used in the EOS Digital Rebel XTi, the EOS 40D Digital SLR's 10.1-megapixel CMOS APS-C size image sensor has been significantly improved thanks to the use of larger microlenses over each pixel to reduce noise and expand sensitivity up to ISO 3200. The EOS 40D retains the model 30D camera's 1.6x focal length conversion factor (compared to full-frame digital image sensors or 35mm film) and is compatible with the full line-up of Canon EF lenses as well as the Company's expanding selection of high-quality, affordable EF-S lenses created specifically for Canon digital SLRs with APS-C size image sensors.
Adding to the improved virtuosity of the images captured by the EOS 40D SLR is the camera's 14-bit Analog-to-Digital (A/D) conversion process. Able to recognize 16,384 colors per channel (four times the number of colors recognized by the EOS 30D SLR's 12-bit conversion capability), the EOS 40D camera is able to produce images with finer and more accurate gradations of tones and colors. The EOS 40D also incorporates the optional Highlight Tone Priority and High-ISO Noise Reduction functions first introduced earlier this year with the EOS-1D Mark III Professional Digital SLR.
DIGIC III DIGIC III is the latest generation of Canon's proprietary image processing engine. DIGIC III technology ensures that the fine details and natural colors of the images are optimally recorded and, as an added bonus, is also responsible for the EOS 40D SLR's high-speed performance, faster signal processing, and even its efficient energy consumption.
sRAW In addition to retaining the RAW image capture capabilities of its predecessors, the EOS 40D SLR now offers a more manageable "sRAW" recording format. In sRAW mode, the number of pixels is reduced to one-fourth that of a standard RAW image and the file size is cut in half, while retaining all of the flexibility and creative possibilities associated with full-size, conventional RAW images.
Improved Autofocus and Exposure Control While the EOS 40D SLR maintains the nine-point wide area AF coverage first introduced on the EOS 20D camera, Canon has made significant improvements to its speed, precision, and functionality, minimizing subject recognition problems in the process. The EOS 40D camera's completely redesigned nine-point AF sensor provides cross-type AF measurement at all nine focusing points for maximum apertures up to f5.6, and for the first time in any EOS camera, the central AF point offers enhanced precision for both vertical and horizontal subject contrast when using EF or EF-S lenses featuring maximum apertures of f2.8 or faster. AF calculation speed with the EOS 40D camera is 30 percent faster than the EOS 30D model.
The Canon EOS 40D Digital SLR retains the same 35-zone metering sensor as its predecessor. Available patterns include Evaluative metering, which is linked to all AF points and is set automatically in the Basic Zone modes, Centerweighted average metering, Partial metering, and Spot metering, covering approximately 9 percent or 3.8 percent of the viewfinder at center, respectively. The camera's E-TTL II autoflash and 12 exposure control modes (11 AE modes plus manual) are also unchanged from the EOS 30D SLR model. However, as a result of consumer input, Canon has added three Custom exposure modes. As an added convenience, particularly for wireless flash operations, users can adjust the flash settings of the Canon Speedlite 580EX II directly from the camera.
The Canon EOS 40D camera offers ISO speeds from ISO 100 to ISO 1600 in 1/3-stop increments. Users can also opt for a high-speed setting of ISO 3200. For the first time in any EOS camera, the 40D model offers Auto ISO capability in Creative Zone exposure modes. This valuable new feature adjusts the ISO speed to the optimal setting based on low light or shaky shooting conditions. Additionally, the EOS 40D provides full-time display of the active ISO speed setting, both in the viewfinder as well as on the top LCD data panel.
The Canon EOS 40D Digital SLR is also the first camera in its class to offer two interchangeable focusing screens in addition to the standard precision matte screen. Users can opt for a grid-type focus screen that makes it easier to verify horizontal or vertical alignment while determining image composition, as well as the Super-Precision Matte focusing screen that makes it easier to grasp the "sweet spot" of manual focusing when using a lens with a maximum aperture of f2.8 or faster.
Enhanced Live View Previously the province of the EOS-1D Mark III DSLR (one of Canon's top-tier professional cameras), the Live View function now gives EOS 40D camera users an expanded and exceedingly convenient and comfortable set of shooting options. By permitting the framing and capturing of subjects using the camera's LCD screen instead of the viewfinder, the shooter gains a 100 percent field view to more easily achieve the desired composition. A new Custom Function on the EOS 40D allows autofocus during Live View by pressing the camera's AF-ON button. At that point, the reflex mirror goes down and AF is carried out in the normal way. Letting go of the AF-ON button resumes Live View functions. Also, in the Live View shooting mode the user can magnify the image by five or ten times in order to ensure that the shot is optimally focused. Live View is at its best during tripod shooting--particularly for close-up photography where precise focusing is imperative. As a side benefit, the Live View shooting mode helps to reduce vibration by lifting the reflex mirror out of the optical path well in advance of the exposure, improving image quality at slow shutter speeds. A new electronic 1st-curtain shutter function in Live View mode reduces release time lag and operational noise even further to avoid spooking wildlife or disturbing people nearby with unwanted camera sounds. Additionally, as the release time lag is miniscule, even instantaneous movements like a bird taking flight can be readily captured.
EOS Integrated Cleaning System First introduced on the EOS Digital Rebel XTi camera, the EOS Integrated Cleaning System is a prime example of trickle-up technology and is now becoming a standard feature on all new EOS Digital SLRs. The camera's Self-Cleaning Sensor Unit uses ultrasonic vibrations to literally shake dust particles off of the low-pass filter in front of the sensor each time the camera is powered up or shut down. Users also have the option of engaging the "clean now" function at will or bypassing it altogether. Additionally, the EOS 40D SLR's manual sensor cleaning function raises the mirror and allows users to clean dust that has stuck to the low-pass filter. Dust that has been shaken or blown loose is then trapped by adhesive at the base of the sensor unit housing, preventing the problematic particles from reattaching themselves to the filter when the camera moves. The second part of the cleaning system is a software solution that maps the location of any spots that may remain on the sensor. The mapped information is saved as Dust Delete Data and attached to the image file. Subsequently, the offending dust information is subtracted from the final image during post processing with a compatible personal computer, using the supplied Digital Photo Professional software.
Improved Software Among the most valuable features of the Canon EOS 40D Digital SLR is its compatibility with Canon's Picture Style Editor (PSE) 1.0 software. With PSE, shooters can actually design the look of their photographs by inputting their own preferred style, color, and tone curves. The EOS 40D Digital SLR also ships with the latest versions of Canon's powerful software applications, including Digital Photo Professional 3.1 and EOS Utility 2.1, which now support the camera's Remote Live View and Dust Delete Data functions, as well as incorporating a broad range of additional improvements designed to improve image quality and speed up workflow. Also included are ZoomBrowser EX 5.8 and ImageBrowser 5.8 for easy browsing, viewing, printing, and archiving with compatible computer operating systems, including Microsoft Windows Vista and Windows XP, as well as Mac OS X.
Accessories (Not Included--Must be Purchased Separately) New system accessories for the EOS 40D SLR include the redesigned high-capacity Battery Grip BG-E2N, which facilitates high-volume shooting and easier vertical shooting. Compatible with up to two BP-511A battery packs or a set of six AA-size batteries, the battery grip approximately doubles the number of shots that can be taken, compared with the battery power of the EOS 40D SLR alone. The BG-E2N grip features new sealing material around the battery compartment to better resist water and dust. The new model replaces the original BG-E2 grip and is compatible with the EOS 20D, 30D, and 40D models.
Designed exclusively for the EOS 40D SLR, the new Wireless File Transmitter WFT-E3A permits wireless transfer and back-up, as well as remote control of the camera in Live View mode. It can also be connected to various GPS receivers or Hi-Speed USB 2.0 external storage devices such as convenient flash drives or high-capacity hard drives with much larger storage capacity than the memory cards in the camera for instant back-up as images are captured. Compact and affordable, the WFT-E3A wireless transmitter also doubles as a vertical grip and requires its own BP-511A battery pack in addition to the battery installed in the camera body.
What's in the box: EOS 40D digital SLR body, eyecup Eb, wide neck strap EW-100DGR, video cable VC-100, USB interface cable IFC-200U, battery pack BP-511A, battery charger CG-580, "Great Photography is Easy" booklet and "Do More with Macro" booklet, EOS Digital Solution Disc, software instruction manual

D. Pham
Reviewed in the United States on January 24, 2009
Pros:- 10.1MP- Fast 6.5fps- Solid and rugged magnesium body- Picture styles and C1, C2, and C3 functions- Massive and intuitive menu feature- Dials and buttons for a faster and manual controls of f-stop and shutter- The kit lens is better than the rebel series'- 3.0" LCD- Very fast start-up time and virtually no distinguishable shutter lag- Plethora of shooting options and functions available- EF and EF-S compatible- RAW, JPEG, or RAW+JPEG shooting- Canon software DPPCons:- 1.6x crop reduces effectiveness of wide-angle- Pop-up flash is near useless- 3.0" LCD is lacking in color and resolutionThoughts:I've upgraded to the 40D from my Canon SD870 IS and the jump is huge. Even though the 50D and 5D mark II is out, the 40D is still a good value. I've used this over the course of 6 months and I love it! I have taken this exploring many places: in rain, sun, and humid and have used 5,000 actuations. It's rated to about 100,000 actuations so I've fine just shooting away. I've used this body in conjunction with my 24-70mm f/2.8L and 70-200mm f/2.8L IS. It is a solidly constructed camera with those L lenses. A weather sealed package allowed me to shoot in light rain while touring Asia, but I'd dare not shoot in anything more than that.The 3.0" LCD is nice but doesn't show the full color range as when viewing on a monitor. Live view is good only for showing the composition. It is a bit slow for shooting anything moving. The viewfinder should be the first and only place to go. Also, using only the viewfinder allows you to better brace the camera for less blur. Be sure to use the on-camera highlights feature in review to show parts of the picture that are overexposed.I don't recommend using the pop-up flash unless used with a pop-up diffuser. A dedicated flash unit like the 580ex II is highly recommended. Using pocketwizards or even just the wireless infrared is a good start.This is a very nice starting camera. If and when I decide to buy a new full frame camera, this will be a nice backup camera. I use this with 2 SanDisk Extreme III 8GB CF memory cards. Try not to get too big or too small of a memory card. 10.1MP shows up as 3888x2592. For JPEG, files are about 4-5mbs each. For RAW, files are about 10-20mbs each. The 40D has the option to shoot both RAW+JPEG at the same time, but at a reduced rate since the buffer can't keep up. I shoot almost exclusively in RAW, and the buffer is about 6 shots continuous. In JPEG, the buffer shows 99. High speed burst is a good option to use, and I used it for 3 shot bursts.The manual controls are good. A dedicated wheel to the right of the LCD controls the f-stop and a smaller wheel behind the shutter release controls the shutter speed. ISO, metering, color balance, shot setting, AF, and AE lock are right behind that wheel on the top right corner. The grip on the body feels easy to use and the finish is just right all around.The bundle that is included with the camera is nice: the industry standard neckstrap, DPP, cordless wall charger, and li-ion battery pack. The neck strap is decent, but I wear it backwards as it irritates my neck. Digital Photo Professional is the proprietary software that is included and it is great for after shot changes for white balance and to a small part, exposure compensation at 1/3 stops. The battery charger is small and does not have cords to deal with; the prongs fold down and plug directly into the outlet. The battery pack is li-ion, charges relatively fast, and looks like 2 AA batteries combined.Recommended with:- Canon Speedlite 580ex II- Canon 50mm f/1.8- Canon 50mm f/1.4- Canon 24-70mm f/2.8L- Canon 70-200mm f/2.8L IS- Canon BG-E2N Battery Grip- Lowepro Slingshot 200- SanDisk Extreme III (2GB, 4GB, 8GB) CF memory cards- SanDisk SanDisk CF Type I/II ImageMateBottom line:Highly Recommended! If you're in the market for a DSLR and are looking at the rebel line (XSi, etc) you might as well get the 40D or other x0D series instead. The difference is +$200~ but you get so much more value.
Ben
Reviewed in the United States on October 28, 2007
I'll start off by saying that yes, this really *is* a great camera. I bought it as body only, then added a Canon EF 100 f2.8 Macro USM lens. If you're not familiar with that lens, it is fairly heavy, and so the camera has felt heavy to me since day one. But it is the lens creating that impression.The 40D starts up, shoots, and shuts down quickly; With the right lenses, it creates clear and consistent photographs; it is hugely flexible, pretty much to any degree you want to flex. Some of the things that have made themselves known to me by how well they work are, in no particular order, the great battery life... I use the LCD a lot, shoot a lot, and generally fuss continuously with the camera, and it just "keeps on going" which is enormously pleasing (this is with the stock battery and a BP-511A spare pack to swap in.) The feel of the camera - just a nice handful of goodness, it really suits my hands, which are large. The clarity of the viewfinder. I wear glasses, and after a little playing with the adjustment, it was *perfect*, first time ever with any camera. This thing is *fast*; it really can do 6 or so frames a second (depends on the shutter speed, of course) and the AF is also fast which makes for more images, and more good images. I love all the preset modes, and I've already had some fun in manual and a *lot* of fun in aperture priority, which pretty much suits the way I think. I particularly like the AF display and the way you can control it; I prefer a single central AF point so I can control focus at the half-press point, and the camera was perfectly agreeable to that. More points did some interesting things with depth of field, and I look forward to experimenting with that, too.I would buy this camera body again in a heartbeat if something horrible happened to mine, like I dropped it down a well or larval (and soon to be deceased) human beings got hold of it and used it as a kickball. It also offers some optional features like wifi that sound like great fun, though I confess I can't speak to them as I've not tried them.There are some things I think could have been done better, though, and since you're probably looking at the camera wondering what the downsides are, rather than looking for what made everyone happy, that's what I'm going to focus on.o The worst problem, by far: The images that the camera uses to let you review your shots are FAR softer than the actual photos, to the point where you can't really tell if you got the focus nailed, or not. This is not a nitpick - this causes me to take extra shots because I literally can't tell if I've hit the mark, or not. I am hoping this can be fixed with a firmware update to the camera.o That fabulous LCD, huge and bright and crisp, looks awful every time I look at it after shooting through the TTL viewfinder. This is because it has a huge NOSEPRINT on it. Has anyone at Canon ever taken a look at a human face? Placement of the monitor should be offsides and inset so that it isn't a grease magnet. Or do they expect me to wash my nose every time I snap a picture out in the field?o While I'm harping on the camera's ergonomics, the power switch isn't very easy to manage. I have very short nails (I'm a guitarist and a martial artist, neither of which encourage nail growth) and getting that switch to swing on and off sometimes takes more than one try; that may, someday, lose me a photo I really wanted, especially considering how fast the camera starts up otherwise. I really wish it had a deeper pit for my finger and a more positive tractive surface to drag it on. It's too short and too smooth.o When in Live View mode, meaning, you're presumably shooting using the LCD instead of the viewfinder (after cleaning your latest noseprints off of it, of course), autofocus doesn't work. But wait, it does. *If* you press a different button. Apparently the power budget of the camera is pushed a little too close to the edge if you use live view *and* autofocus because the mirror is locked in the up position. So they... moved AF to another button? Look, either let me do it, or don't let me do it, but quit changing what the controls do underneath my fingers. That's just poor interface design. Maybe you should have turned it off by default, then let us blatant power-spenders turn it back on, kind of like how ISO 3200 works on this camera (it's a menu option, not initially enabled. Requires RTFM or at least someone telling you what to do.) Anyway, I don't like how this works. At all. But it's a nitpick.o When you're not in live view mode, the camera will display your shot in the LCD for 2 seconds, then blank (this time is adjustable, somewhat, in the menus. But 2 seconds is the shortest time for it to work at all.) You have to wait for the preview to go away (2 seconds) to enter play mode so you can really take a look at it. I think it should directly enter play when it is in that 2-second "grace" period after the shot; the fact that it doesn't costs me time, at least in some situations. And time, in photography, can mean lost shots.o Print button - come on. I can think of a hundred things that would be more important to put on a button than "print." That's just... silly.o I would have liked to have infrared remote firing of the camera. This is MUCH more flexible than the 2s or 10s delayed firing option it has now. You can go out and sit with a group and putter around indefinitely with infrared; even 10 seconds isn't a lot of time to get out there, regulate your breathing, meld into the group photo, and stop staring down your 3rd cousin Hotisha's bodice. Uh, not that I would do such a thing. No. Not me. Cough.o It isn't easy (meaning, you have to use a deep menu) to clean out all the images on the CF card. Should have been, really. it *is* easy to delete images one at a time.o The weather flap on the USB connection (and external fire, strobe, and video connectors) are a little difficult to grasp (I have essentially no nails, remember), and they really are just rubber flaps - I fully expect them to wear out, as they don't have proper hinges or otherwise use reasonable bearing surfaces. I *really* don't like having to struggle with the flap every time I want to grab pictures from the camera, which is several times a day on days when I'm *not* seriously shooting. I might *have* to buy that wifi accessory...These are, in the end, mostly problems I would characterize as "nitpicks", and with the exception of the soft review images, certainly nothing to get in a frenzy over (well, maybe the placement of the LCD screen too... but that certainly isn't a problem only found in Canon products.) This is a fabulous camera; I can't imagine anyone actually regretting buying one unless they've been working with far, far more expensive gear than this. I gave it five stars, and that's just how I feel about it.About me: I've been into photography since about 1965, my last camera was an Olympus E20, a 5 MP camera with an *excellent* all-occasion lens, macro to telephoto, and an insatiable appetite for batteries. Moving up to a 40D was a great experience for me. I'm not a pro, maybe semi-pro is fair, my experience with cameras includes both BW and color developing, all manner of large format boxes, several 35 mm cameras, and ten or eleven digital cameras from the 320x240 dawn of digital cameras to today. I am also an engineer (EE) and the author of a very extensive image processing software suite and several RAW processing plugins; consequently I am intimately familiar with how digital cameras actually work.